New York Times: Noah Fischer, Rhetoric Machine

2006

 

This young, Brooklyn-based artist has a winner of a first New York solo: a two-room, Rube-Goldbergesque kinetic environment set to a score of clips from doom-threatening speeches by United States presidents, ardent pop love songs and the baseline sound of jets and bombs. In sync with the soundtrack, low-tech, handmade light-projecting machines whir and jerk into life, turning the show into a combination of modernist ballet mécanique and gothic danse macabre. Technically ingenious and full of ideas, the show takes approximately 10 minutes to complete one sound-and-motion cycle.

This young, Brooklyn-based artist has a winner of a first New York solo: a two-room, Rube-Goldbergesque kinetic environment set to a score of clips from doom-threatening speeches by United States presidents, ardent pop love songs and the baseline sound of jets and bombs. In sync with the soundtrack, low-tech, handmade light-projecting machines whir and jerk into life, turning the show into a combination of modernist ballet mécanique and gothic danse macabre. Technically ingenious and full of ideas, the show takes approximately 10 minutes to complete one sound-and-motion cycle. Oliver Kamm/5BE, 621 West 27th Street, (212) 255-0979, 5begallery.com, through Jan. 6. (Cotter)

http://www.nytimes.com/2006/12/29/arts/design/29art.html