• 2016

    Like art markets and financial markets, Bank of NO isn’t confined by national borders. It conducts business in austerity-bound Cyprus and now the city of Leipzig. Bank of NO crosses over the waters of the Mediterranean and it also crosses the waters of history. In Leipzig it will now re-open Bankhaus Meyer & Co, the last private bank in the GDR whose owners became refugees from Nazi Germany in an earlier chapter of history. This makes a circular migration through time with people now crossing the Mediterranean in hopes of reaching Germany.

  • 2016

    Bank of No: Event Program: February 1, 2016 7:30 PM, at Leventis Gallery: Lecture and discussion about new artistic practices related to politics and activism from the streets to art galleries. 10:00 PM, at Point Centre for Contemporary Art Dance Party …

  • 2015

    All videos narrated by Peter Coyote Mask of Money Priests of Growth https://youtu.be/B-X8SoeBQaQ Value of Occupy Trauma Currency

  • 2014

    In exchange for action.  

  • 2014

    In exchange for resources (to create more art).

  • 2014

    “Mask of Money” an artwork/artifact from the 2011 Occupy Movement positioned on a pyramidal display structure was included in the exhibition, and in January an “Activist Summit” provided means to “unfreeze the frame” of the exhibition by holding an assemby which ended in an action to intervene in the curatorial text and exhibition walls.

  • 2014

    In exchange for a personal or collective art-debt bailout (www.debtfair.org)

  • 2013

    To be given freely to activists while on the street.

  • 2012

    (CNN) — In 2011, as the world marked 10 years since 9/11, we asked artists around the globe to illustrate the ripple effects of the terrorist attacks. The result was “9/11 Ripple,” CNN’s first digital art gallery.With the 2012 elections approaching, we again wanted to include artists in our coverage of a major news event.

  • 2012

    March 10th and 11th 2012 Occupy Museums issued an open call for artists to exchange their work outside the bounds of the financial system, right in front of the Armory Show. This was a protest against the increasing financialization of art using the strategy of mobile exchange booths.

  • 2011

    “Today, September 22nd, 2011 is the last day of Summer.  And tomorrow is the beginning of the Fall…of the Empire of Greed. These coins, though insignificant in value, are the seeds of change for a new nation built on equality and justice” With these words, spoken before the New York Stock Exchange, the seven performances of the Summer of Change conclude.  We distributed each American numismatic currency from the dollar to the penny at the feet of the Gods of Wall Street in a bid to break through the mythology of Free Markets.

  • 2011

    Saturday September 17, 2011 a peaceful movement inspired by Tahrir Square in Egypt, Puerta del Sol in Madrid, and the worldwide rage against an out-of-control financial system blossomed in New York City just as the Summer of Change turns to Fall. Protesters who had hoped to occupy Wall Street were not suprised to find the pedestrian mall completely shut down by the NYPD. However, The protest went on anyway in other locations of the Financial District and it continues as of this writing. The Summer of Change project is taking part in

  • 2011

    Midnight on Wall Street. Alexander Hamilton appears on a red carpet, saunters past the Stock Exchange, and approaches the Federal Building steps.  In the center of the square is a cardboard box inhabited by The Common Man. “Who is here that distrurbs my slumber?” “It is I who have some to see/if there is anything I can do for thee…”And thus ensues a performance in rhyme, a modern day Faust which, like Goethe’s great story, tells the tale of ambition, wealth, and ultimately, folly, and chilling horror.

  • 2011

    High Noon on Thursday, the Father of our Nation shall dialog with the Common Man on the Federal Hall Steps of Wall Street. They will then distribute 400 US Quarter-Dollars to the Commonwealth for the latest numismatic offering of the Summer of Change. This is a joint venture of Noah Fischer and the Aaron Burr Society.

  • 2011

    July 15th, Please Join us on Wall Street at 4:00 PM for the second event in the Summer of Change: A distribution of 200 50-cent pieces.  At 4:30 we will march in procession to the Irish Hunger Memorial (map) where Ed Kimball will screen archival 8mm footage on JFK (whose visage adorns the 50-cent piece).The whole event runs from 4-7 PM.This performance is dedicated to the memory of Maria Soledad Loya 1940-2011 

  • 2011

    Coins, those age-old metallic discs struck with the symbols of national mythology,  just might unlock reason & light in the fourth year of the Dire Global Recession, an economic state whose laws do not apply within the stones of Wall Street; whose invisible great wall is impregnable to marauding justice, equality, and change.  So we present the Summer of Change; a series of numismatic ritual offerings to our nation’s bankers; those citizens worthy of prizes and honors; which we as artists are honored to bestow in public. Standing on The Street safely w

  • 2011

    https://youtu.be/-km-CfhuAhg  

  • 2011

    “The ability to construct symbolic objects attains its greatest triumph in money.  For money represents abstraction at its purest form; it makes comprehensible the most abstract concept …thus money is the adequate expression of the relationship of man to the world which can only be grasped in single and concrete instances yet only really conceived when the singular becomes the embodiment of living mental process which interweaves all singularities and in this fashion creates reality.” -Georg Simmel,  The Philosophy of Money

  • 2009

    Electrical Forest: Made in Troy is a dense constellation of actual felled trees, surrogate trees, handmade leaves, leafy projections, found objects, and mobile sculptures and lanterns. A site-specific work, the Forest invites the contemplation of nature, art, and the sublime—conjuring the regional history of the 19th century Hudson River School. Additionally, Fischer’s method of construction draws more specifically on Troy’s industrial legacy. The piece begins with a week long “Factory Phase,” during which Fischer transforms the Arts Center into an industrial production line.